Katerina Moschou is a self-publisher and multidisciplinary artist working across sculp-
ture, photography, painting and material appropriation. Her practice lies in the observation of both
human-made and natural environments, capturing the intricate web of relationships that unfolds within
them.
Her artistic practice is rooted in the exploration of everyday life, which Katerina approaches as some-
thing “evasive”, defined by what is spoken or done rather than written or recorded. These ordinary
undertakings reveal how individuals navigate and understand social order and disorder, embodying
the fluid dynamics between human and nonhuman actors. She focuses on these overlooked moments,
seeking the material traces of interactions and the ways our bodies shape and are shaped by the world
we inhabit.
Her research is based on an interplay between visual documentation and critical engagement with
texts that continuously inform and reshape her practice. She incorporates elements from one medium
into another, creating a tactile essence which bridges visual and material dimensions, deepening her
exploration of the everyday.
She holds an Integrated Master’s degree from the School of Visual and Applied Arts at the Aristotle
University of Thessaloniki and studied as a visiting student at the École Supérieure d’Art du Nord-Pas
de Calais. She also holds a Law Diploma from the Democritus University of Thrace.
Katerina is a FUTURES Photography nominee by Void for 2025. Her first photobook, How to Drive, cre-
ated in collaboration with Zoetrope Athens (2023), received the Polycopies & Co Grant (Paris, 2022),
the ArtsLibris Banc Sabadell Award 2023 and was shortlisted for the PhotoEspaña Best Photography
Book Award (2023).